
I started following Korean entertainment (i.e., Korean popular music, TV, and movies) around 3 years ago in order to improve my language skills. Two summers in Korea and several CDs, downloaded TV shows, and DVDs have since then also made me a fan. This afternoon, my favorite Korean movie actress, Lee Eun Joo (이은주), was found dead in her apartment as a result of suicide.
To most people, this may simply be a sad event, but to me, this is the equivalent of Aishwarya Rai or Natalie Portman killing herself. At 24, Lee Eun Joo was at the height of her career, having recently starred in both a very successful TV drama and the biggest Korean movie of all time,
Brotherhood <태극기휘날리며>. I have seen every movie of hers, including her most recent,
The Scarlet Letter <주홍글씨>, the filming of which is said to have caused or exacerbated her depression, leading to insomnia and now, death.
Lee left a 3-page suicide note plus a note scrawled in blood reading “Mom… I’m sorry… I love you.” The 3-page note, as far as I can figure out with my less-than-stellar understanding of Korean, touched on several different issues that she was apparently going through. She says she wanted to earn money, but hated money at the same time. She also says she wished she could make her mother and brother happy and that she could go back to 1 year ago, before her confidence hit rock-bottom. Since a year ago is just before she started working on the movie, I am thinking that that was indeed the major cause of all her angst.
The Scarlet Letter is among a genre of Korean movies that can only be described as intense. These films are made to deliver blow after emotional blow with bizarre plot twists and shocking imagery. (The best example is
Oldboy, which was runner-up at Cannes last year.) Sometimes they work, sometimes they don't.
The Scarlet Letter (
not a remake of the Nathaniel Hawthorne classic, by the way) didn't really deliver in this regard; although it was very well acted, the plot was a little far-fetched and forced, in my opinion. It also turned out to be a flop at the Korean box office. Combine this failure with the backlash Lee faced for her explicit (at least by Korean standards) love scenes, the emotional toll of simply filming such a charged-up movie, and her supposed tendency to get very deep into her roles, and one can perhaps begin to see how she could have been so adversely affected. (You really have to see the movie to understand how intense it is and appreciate the emotional wreck that was her character.)
It’s hard to point a finger at any one person here. The movie producers, the Korean public and movie industry, the media, and even Lee herself all have a hand in this mess to some degree. Rather than celebrating her superb acting performance and her courage as an A-list actress in signing on for such a controversial role, they all chose to focus instead on the negatives. But what’s really sad, what really gets to me in a way that no other famous person’s passing has so far, is that
nobody was there for her. At least, not in any way that could have saved her life. Korea is known for having a poor mental health system, but her suicide letter clearly implies that neither her friends nor family, including her own mother, offered enough support and instead, may perhaps have taken part in the negative backlash themselves.
Lee Eun Joo was one of the brightest stars in Korean cinema. She had amazing talent, brilliant charisma, and a level of sincerity in her roles rare for someone so young. And she still had the potential to be so much better.
She will be sorely missed.